Splatterhouse isn’t just a violent game, it’s an unashamedly weird one, often to its benefit. Perhaps most notable for featuring Guardians of the Galaxy director James Gunn as its co-writer, Lollipop Chainsaw ended up as cheap, cheerful and sadly overlooked by the masses and one of the most underrated PS3 games around.Īs far as games that do what they say on the tin, you can’t really get more transparent than BottleRocket and Namco’s 2009 blood-soaked hack-and-slasher Splatterhouse, a ludicrously over-the-top reboot of the original Splatterhouse franchise that spends most of its time bathed in swathes of crimson blood and gut-laden gore. It’s all lightweight, self-referential fun, but Grasshopper’s experiment was just a bit too flippant and flimsy to be ever taken too seriously as a genuine proposition to warrant further releases, a lightweight piece of diversion that could never quite challenge the AAA titans. Lollipop Chainsaw’s tongue isn’t so much in its cheek as it is digging into its own jawbone like a pneumatic drill. Lollipop Chainsaw is essentially a classic hack-and-slash zombie slayer in which you assume the role of Juliet Starling, a ditsy blonde pom-pom twirler clad in nothing but a miniskirt and crop top and wielding an oversized chainsaw, cutting her way through swathes of zombies like Ash Williams cosplaying as one of the protagonists from Mean Girls. Maybe having a semi-naked cheerleader (always a popular costume for enthusiastic cosplayers) as a mascot helped keep the game alive within the cultural conscience more than the actual game ever could. Lollipop Chainsaw is one of those odd games where it feels like lots of people have heard about it but not many have actually picked up and played the thing. A distinct lack of competitive online multiplayer, a mode that was certainly enjoying massive growth in the FPS market, certainly didn’t help.īulletstorm managed to earn itself some very decent reviews, but sales just never met the expectations of its developers or publishers, and a sequel never materialised. This all seems strange considering the fact that the industry was experiencing a boom in first-person shooters when Bulletstorm dropped in 2011, although some of this apathy might have been explained by the fact that People Can Fly were experimenting with a new and unknown IP. Publishers EA bemoaned at the time that the game underperformed against expectations, not making the money expected of it and, according to some reports, not managing to turn a profit for the giant studio at all. It seems odd, in retrospect, that a game called Bulletstorm could fail to drum up significant attention to avoid its own publishers citing it as a disappointment. Set during the 26th century, People Can Fly’s hugely kinetic and explosive FPS follows space pirate Grayson Hunt after he is stranded on a hostile planet and tasked with tracking down a nefarious General responsible for tricking him into committing war crimes. With this list of the 10 most underrated PS3 games, we hope to do our bit to redress that balance. Sometimes this lack of recognition was utterly warranted, but it remains a sad fact that some games simply never got the credit they deserved despite their obvious qualities. Heavyweight blockbusters such as these may have stolen the headlines and charged ahead in the race for revenue and sales, but there were countless other releases that slipped under the mainstream radar. Massive AAA heavy hitters such as GTA V, The Last of Us, Arkham City, the first three Uncharted games, not to mention Skyrim, Fallout: New Vegas and Dark Souls, cemented the seventh generation as a golden age of gaming. Those halcyon days of seventh generation console gaming feel like an eternity ago for many, but looking back at the annals of history reveals a litany of classic games that seemed, at the time at least, like they could never be bettered.
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